Peter Cusack: Lignite Clouds (Sound Workshop)
Locations: Most Basin - Libkovice, Jezeří Chateau, Mariánské Radčice, Osek, Lom u Mostu, Most lake
Accommodation: Mariánské Radčice (vicarage)
Outline: A two-day workshop focused on the sound environments around the brown coal industry in Most Basin (North Bohemia). We useed both listening and making field recordings. We also used photography and writing to compare the differences between the sound, visual and language perspectives on the area.
Day 1: We visited a number of local places to record, photograph and talk to people there. The places include the coal face of a mine where the machines are working, the village of Mariánské Radčice, which in under the thread of disappearance because of mine expansion, Libkovice which has disappeared because of mine expansion, lake created by mining and the chemical site near Litvínov.
Day 2: After the visits, we will discuss the material recorded and how they could be used creatively in the future.
About sonic journalism: Recent projects of Peter Cusack have explored the practice of “sonic journalism’ -- the audio equivalent of photojournalism. Sonic journalism is based on the idea that valuable information about places and events is revealed through their sounds and that careful listening will give insights different from, but complimentary to, visual images and language.
Lecturer: Peter Cusack
Participants should bring: a sound recorder, microphone, good shoes, rain coat, and a sleeping bag.
Further information: Miloš Vojtěchovský (email@example.com, tel. +420 608 571 881)
How to get there: by train to train station Lom u Mostu, or Louka u Mostu, or Litvínov, then by bus (or by walking) to Radčice; the vicarage is next to the church.
Max. 15 participants
Peter Cusack: Brown Coal & Petrochemical Landscapes - North Bohemia
For the last 100 years and still today this part of Bohemia in the Czech Republic has been the country's main energy hub. Beginning with brown coal mining early in the century, the petrochemical industry was introduced during the 2nd world war. Oil brought 100s of kilometers by pipeline is refined here. The effect on the landscape has been dramatic. It is a beautiful area of wooded hills and much remains so today. But around the industries huge changes have taken place; vast opencast pits are are excavated to expose and extract the coal, valleys are filled with the soil removed to create hills that did not exist before, many villages and whole towns are demolished or buried to make way for the expanding mines, churches have been picked up and placed eleswhere, brand new lakes are created in the chasms after the coal has been used up. The whole area is being sculpted around the needs of the energy industry – a process that continues unabated today. However much of the rich history also remains; stunning ancient monastries and castles stand on the edge of the brown coal pits and paths of pilgrimage are re-routed to avoid the encroaching mines. Old villages and the people who live there have no choice but to adapt to the 24/7 drone of machinery. Children grow up with these sights and sounds as their personal legacy. For an outside visitor it can be fascinating, horrific, beautiful and depressing in quick succession.
Participants: Tomáš Šenkyřík, Martin Marek, Sonya Darrow, Luboš Svoboda, Lloyd Dunn, Gunhild Enger, Matin Zet, Tommy Hovik, Marcus Held, Kristín Runnsdottir, Thorunn Eymundardottir, Robert Vlasák, Vladimír Turner, Helena Čtyroká (asistence - Michal Kindernay, Dominik Žižka)
Peter Cusack works as a field recordist with a special interest in environmental sound and acoustic ecology. His projects have included community arts, research into sound and our sense of place, and documentary recordings in areas of special sonic interest (Lake Baikal, Siberia). …
The focus of the expedition and workshops in the landscape around the Most Basin is on current changes in the heavily industrialized landscape, especially with regard to the loss of historical continuity, the transfers of geological layers and social structures, and current discussions about the abolition of territorial limits, as well as the potential for further degradation and exploitation of the landscape by extensive open cast mining. …
Michal Kindernay is an intermedia artist, curator and performer. His audio-visual installations interconnect art, technology and science. He reflects ecological issues through various technological approaches in relation to nature environment. …
Miloš Vojtěchovský is one of the initiators of the the Frontiers of Solitude concept and program. He is a curator, art historian, and audiovisual artist born 1955 and living in Prague. He graduated in Art History and Aesthetics from Charles University. Since the early 80s he has been involved in independent music, visual art, action art, and curatorial work in Prague and abroad. …
Hydrobiologist Ivo Přikryl will explain the history and current situation of the water environment of the open cast brown coal mining around Most. He is employed at ENKI o.p.s. in Třeboň. His research focuses on zooplankton in lakes, reservoirs and ponds, mostly in Central Europe. He is currently studying the possibilities of protecting wetlands and marshes, the management of reservoirs, and the recultivation of the landscape after open cast mining, especially in the Ore Mountains. …
An improvised workshop with Miloš Šejn, inspired by the environment of the castle Jezeří, especially its former arboretum--a vast park located between the castle and the former village of Albrechtice. The workshop is intended as an inquiry into the hill of Jezeří and will comprise of improvised actions in several locations. …