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Living Through the Landscape
The Norwegian part of the project will encompass a 10-day expedition/workshop with artists from all three participating countries in the county of Finnmark in northern Norway from 20 to 30 September, 2015. The focus of the expedition will be on mining activity in the region and its effect on the local landscape. Both the current and previous Norwegian governments have funded initiatives aimed at surveying mineral deposits and their suitability for mining ventures, resulting in heated debates regarding a renewed interest in the exploitation of minerals, especially in the north. Recently, plans to allow the waste from a proposed mining operation to be deposited in the Førde fjord in the west of Norway have made headlines in both the Norwegian and international press. Elsewhere, such as in Biedjovággi in Finnmark, the ecological damage from open-pit mining is still being felt 40 years after the closure of mining operations. Plans to once again start mining in Biedjovággi as consequence of soaring gold prices highlight the complexity of issues relating to the exploitation of minerals and a globalized economy, covering intersecting social, economic and ecological concerns. Similar debates have arisen in regard to the Reppar fjord, also in Finnmark. Waste from nearby underground mining was dumped into the fjord in the early 1970s, causing damage to fish stocks, thereby affecting the livelihoods of local fishermen. Renewed interest in mining copper in the area has started new debates on the environmental impact of depositing waste in the fjord. On one hand, mining companies need to keep costs down to stay competitive, and rural communities are often in dire need of jobs and investment to bolster the local economy. On the other hand, such initiatives have frequently caused extensive environmental damage and infringements of the rights of indigenous populations. By visiting the region and meeting with locals as well as experts, the Norwegian portion of Frontiers of Solitude aims to contribute to a public awareness of environmental and cultural issues that are both local and globalized. Frontiers of Solitude is an extension of Atelier Nord’s previous engagement with issues related to the north of Norway in the video program Beyond Horizons. Program 20 September Oslo departure - arrival in Alta/Alta Airport (ALF) 21 September Kautokeino Biedjovággi mine 22 September Biedjovággi mine 23 September Biedjovággi mine 24 September from Kautokeino to Karasjok Visit to Sami Center for Contemporary Art 25 September Karasjok 26 September Kvalsund - Repparfjord depot 27 September Repparfjord 28 September from Kvalsund to Hammerfest Visit to Windmill development site Evening program in Hammerfest Art Association/artist talks 29 September Visit to Snøhvit petroleum field 30 September from Hammerfest to Alta program: Ivar Smedstad Gunhild Enger, Iselin Linstad Hauge, Vladimír Merta, Alena Kotzmannová, Elvar Már Kjartansson, Monika Fryčová External resources Strategy for the mineral industry – Second Stoltenberg government, 2013 (Norwegian only). gruve.info – Website about the environmental impact of mining in Norway, maintained by Svein Lund (Norwegian only). Artic Gold – Mining company campaigning for renewed activity in Biedjovággi. Nordic Mining – Mining company looking to deposit waste in the Fjørde fjord. Nussir ASA – Mining company campaigning for copper extraction in Kvalsund/Reppar Fjord. Article in the British newspaper The Guardian on the proposed dumping of waste in the Fjørde Fjord. Norges Naturvernforbund (Friends of the Earth Norway) …

Ivar Smedstad
Marble Warble is an audiovisual work recorded in one take at the grave of Maria Georgsson, born Wathne (1.3.1885 - 28.12.1912), in Seyðisfjörður, Iceland. The marble structure overgrown with moss has the feel of an ice landscape through the macro recording. Through restructuring of the real time recording and juxtaposing of sounds and images related to thermic energy the piece creates a pastiche of image and sound. The different layers of warbling sound affects separate sections of the image, thus suggesting a dissection to expose an inner nerve. Ivar Smedstad (b.1961, Oslo) studied fine arts at the San Francisco Art Institute and received his degree in performance/video in 1988. He then moved on to work with distribution and preservation of video art at Electronic Arts Intermix in New York, where he held the position as Technical Director. In 1992 he received a fellowship from the Academy of Media Arts in Cologne where he worked as an artist in residence and lecturer in media art.Since year 2000 Smedstad was associate professor in the Intermedia department and institute chair at Trondheim Academy of Fine Arts. Smedstad is currently director of Atelier Nord, a media arts organization in Oslo. Ivar Smedstad has been working with video art and electronic media since the early 1980s and has participated in numerous international and national video art exhibitions, screenings and festivals. …