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Od kláštera Osek na Selesiovu výšinu, k Lomu, Libkovicům, Hrdlovce a zpět/From The Osek Cloister to Lom and back
By Samotar, 27 September 2015
By ll, 25 September 2015
Lignite Clouds Sound Workshop: Days I and II
The first day of Peter Cusack's sound and environment workshop we went to explore the vanished village of Libkovice. (Earlier this week we watched the photography documents of local photographer Ibra Ibramovič from early 90ies, it was time when the village became the place of conflict between the inhabitants of the village and the mining company. In 2005 was the last standing structure of the village - the church demolished, because it was "recycled" by locals. The mining activity under Libkovice did finally not happened.
Participants: Michal Kindernay, Dominik Žižka, Sonya Darrow, Lloyd Dunn, Tomáš Šenkyřík. Martin Marek, Luboš Svoboda, Martin Zet, Þórunn Eymundardóttir, Gunhild Enger, Tommi Høvik, Kristin Rúnarsdóttir and Markus Held (from Leipzig).
Friday evening Peter Cusack introduced at the vicarage hostel at Mariánské Radčice (where we had a pleasant accommodation) his concepts of sonic journalism and his work related to the Sounds from Dangerous Places project, especially talked about his visits to the town of Chernobyl exclusion zone.
"Walking around solitary roads along remnants of old orchards and outlines of house basements was accompanied by omnipresent noise of near open pit. Literally just behind a small hill there are huge excavators digging day and nigh aproaching towards the village Mariánské Radčice. We split into groups or went to explore the landscape and soundcape individually. Everybody made specific sound recordings, drawings or acts examining specific area, phenomenon or concept. In the evening we discussed individual approaches and impressions and the program for next day."
Sunday we went to Záluží chemical area, rested at the Jezeří Castle to look in to the abbyss and went to Osek Monastery
Peter Cusack: Lignite Clouds (Sound Workshop)
Locations: Most Basin - Libkovice, Jezeří Chateau, Mariánské Radčice, Osek, Lom u Mostu, Most lake
Accommodation: Mariánské Radčice (vicarage)
Outline: A two-day workshop focused on the sound environments around the brown coal industry in Most Basin (North Bohemia). We useed both listening and making field recordings. We also used photography and writing to compare the differences between the sound, visual and language perspectives on the area.
Day 1: We visited a number of local places to record, photograph and talk to people there. The places include the coal face of a mine where the machines are working, the village of Mariánské Radčice, which in under the thread of disappearance because of mine expansion, Libkovice which has disappeared because of mine expansion, lake created by mining and the chemical site near Litvínov.
Day 2: After the visits, we will discuss the material recorded and how they could be used creatively in the future.
About sonic journalism: Recent projects of Peter Cusack have explored the practice of “sonic journalism’ -- the audio equivalent of photojournalism. Sonic journalism is based on the idea that valuable information about places and events is revealed through their sounds and that careful listening will give insights different from, but complimentary to, visual images and language.
Lecturer: Peter Cusack
Participants should bring: a sound recorder, microphone, good shoes, rain coat, and a sleeping bag.
Further information: Miloš Vojtěchovský (firstname.lastname@example.org, tel. +420 608 571 881)
How to get there: by train to train station Lom u Mostu, or Louka u Mostu, or Litvínov, then by bus (or by walking) to Radčice; the vicarage is next to the church.
Max. 15 participants
Peter Cusack: Brown Coal & Petrochemical Landscapes - North Bohemia
For the last 100 years and still today this part of Bohemia in the Czech Republic has been the country's main energy hub. Beginning with brown coal mining early in the century, the petrochemical industry was introduced during the 2nd world war. Oil brought 100s of kilometers by pipeline is refined here. The effect on the landscape has been dramatic. It is a beautiful area of wooded hills and much remains so today. But around the industries huge changes have taken place; vast opencast pits are are excavated to expose and extract the coal, valleys are filled with the soil removed to create hills that did not exist before, many villages and whole towns are demolished or buried to make way for the expanding mines, churches have been picked up and placed eleswhere, brand new lakes are created in the chasms after the coal has been used up. The whole area is being sculpted around the needs of the energy industry – a process that continues unabated today. However much of the rich history also remains; stunning ancient monastries and castles stand on the edge of the brown coal pits and paths of pilgrimage are re-routed to avoid the encroaching mines. Old villages and the people who live there have no choice but to adapt to the 24/7 drone of machinery. Children grow up with these sights and sounds as their personal legacy. For an outside visitor it can be fascinating, horrific, beautiful and depressing in quick succession.
Participants: Tomáš Šenkyřík, Martin Marek, Sonya Darrow, Luboš Svoboda, Lloyd Dunn, Gunhild Enger, Matin Zet, Tommy Hovik, Marcus Held, Kristín Runnsdottir, Thorunn Eymundardottir, Robert Vlasák, Vladimír Turner, Helena Čtyroká (asistence - Michal Kindernay, Dominik Žižka)